Search Results for: Lighting

1 Procedure for Interviews Preparing for the Interview • All interview proposals must be submitted to the Main Meeting and […]

[…]studio is much more, much more set than it is in OBS. There are very, very few OBS that have the the the techniques that are employed in studios, the lighting, the the sound, the the camera work, the the actual accuracy of of positions, though them, it's a much different way of working, a much diffe[…]

[…]we'd go on doing search and whatever. If there was to be a specialisation of mine, it was dealing with young people and young people's issues and highlighting those other than that, I think we do Did everything Oh, oh yeah, I picked the short straw. And because I was the youngest, I had to do all th[…]

John Frame [Start of Recording] [00:00]I: This is John Frame. I'm Tim Amyes. This is the 20th May [2017] and he was employed with STV between 1964... R: 1964 till 1992. In September. 17th. It's OK. I: So, John, where were you born? R: I was born in a lovely little village ca[…]

[…]f you wanted anything, you got it alright. There were no problems at all. I found the Directors and, I think, the staff, I mean there was one chap, a Lighting Director called Hugh, Hugh McLeod? I: McLauchlan, yes. R: Hugh McLauchlan, on the show and he nodded to me a few times and I didn't[…]

[…]in Aberdeen in the Maritime Museum which, if anyone has ever been there, it's on several stores, floors, so we were on multi levels and it's glass so lighting is an issue and a problem and we had to get people like Christopher Brookmyre to come to Aberdeen for eleven o' clock in the morning! I met C[…]

[…]I think it was just, I just came in at the cusp when sound was moving, Camera Operators and Sound were amalgamating. Even occasionally there would be lighting. I didn't find too much difficulty ever getting a camera so I think there must have been a lot of them. I remember a lot of the Cameramen the[…]

[…]re buckling up their belts to stop their sore backs and they're talking about the football and all that and in they come with all these flats and the Lighting Director, "Oh no, you can't come in! I'm still doing the rigging!" There's all that banter and, you know, there's a pile of stuff and it all […]