Search Results for: Lighting

The copyright of this interview lies with the \british Entertainment History Project Peter Scott – My name is Peter Graham Scott. I was born in 1923, er…October the 27th. In East Sheen, which is near Putney, and near Richmond. My mother and father were living – they’d just got married; well the[…]

[…] lesser extent. I met Jimmy Allen in in Bombay by accident. Many years later, and he had gone perhaps finished up one might say ended his career as a lighting cameraman in India. He didn't shoot but he lit these great sets with the Indian dances and theatricals and so on. India became the last refug[…]

Interview with Esther Rantzen: Transcript of Sample ClipEsther Rantzen: When I joined Radio as a studio manager making sound effects, playing gramophone records, both for music and effects,. It was just after the great days of B.B.C. Radio, which I imagine would have been in the Fifti[…]

[…] didn't have the energy to, well, I mean, he had amazing energy when he was filming, but not for anything else. She used to say, Oh, look at his eyes lighting up. How can he do a 12 hour day, you know? And normally he can't even, you know, walk around the room without getting tired. But, no, but he,[…]

[…]er months, late spring months.  Ernest Maxin  42:27  However, once again, a continual learning process and I learned my lighting for shows from a man called Robert Nesbitt, who was a very good lighting designer in the West End theatre. And however Where did I get to? Wh[…]

This transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of […]

[…]ant art director Bob Laing; JB talks about working with Berenguer on the Leningrad sequence which had a hazy and wintery look as a result of the dark lighting; costume designer Anthony Powell was brought in to replace Yvonne Blake.00:42:00 – 00:47:10 Approached by William Friedkin to work on Sorcere[…]