[…] a terrible thing really because every time they wanted to change around, the train had to also tow along with it flat trucks carrying the sound van, lighting generator and all that - everything had to be on this train you see. And if you swapped round, you wanted to go in the other direction or do […]
[…]t ship, how they were serviced, how they were looked after and how they were rescued and everything else, and it covered the whole field, which meant lighting depot ship workshops, lathes and metal shops, and this sort of thing, with a couple of photo floods, mirrors, daylight - you name it...Alan L[…]
[…]reddie was there as the chief cameraman and I went there, I became Freddie Young's operator to start off with. And after a couple o months I became a lighting cameraman. But Freddie all the time, of course, was keeping his eye on what was going on. There were three others then, there was Freddie Fra[…]
[…] tow along with it flat trucks carrying the sound van, lighting generator and all that - everything had to be […]
[…] I put a polar screen on and a bit of lighting and cut down the reflection as much as possible. […]
[…]ughs] Or words to that effect! And they wanted an interpreter, a German interpreter - English-German interpreter - for Hans Schneeberger, who was the lighting cameraman on 'Conquest of the Air', (I can't remember who... Yes, that's right,...) and he had a focus puller called Karl Matthews. That's im[…]
[…]s around.Speaker 1 25:14 That was roughly the sort of crewing Oh Brendan Stafford, of course, yes, yes. He came on a little bit later for lighting the bigger subjects, the sort of thing I used to do for British Council and some of one or two of the fairly decent sized sponsored jobs like[…]
[…]Unknown Speaker 0:00 The copyright of this recording is vested in the ACTT History Project.Unknown Speaker 0:06 Jack Hillier, lighting cameraman, interviewer, Alan Lawson, recorded on the seventh of january 1988Unknown Speaker 0:19 side one iUnknown Speaker […]
[…] one. Al: Because the action in fact distracts from the lighting Billy Williams: Yes, you need just a few seconds […]
[…]rd, and still is the standard camera of documentary filmmakers. I.Speaker 1 0:00 In your work? Did you tend to favor rather low key style lighting, or you had no particularSpeaker 2 0:13 preferences? Well, it depended on the subject, but I was brought up to have only the mini[…]
