[…] their cutting and all the post production was done in London. So when I was working with him which was […]
[…] at New College, and later when we brought it to London, Gavin Lambert, whom I'd known at Cheltenham. Sequence flourished […]
[…] so I gave her a lift home, a lift into London. And we started chatting and it seemed as though […]
[…] studied was economics and I got a scholarship to the London School of Economics where I was for three years. […]
[…] a Cameraman in the British Kinematograph Society’s course at the London Polytechnic, Regent Street, and then began at the Gaumont […]
[…] coincided with mine. We were standing watching the Blitz on London and he said fantastic, this is much better than […]
[…] there for some time. Then my father came back to London to work and I had a couple of years […]
[…] as Night Mail (1936), The Saving of Bill Blewitt (1936), London Can Take It (1940) and Patent Ductus Arteriosus (1947). […]
[…] as Night Mail (1936), The Saving of Bill Blewitt (1936), London Can Take It (1940) and Patent Ductus Arteriosus (1947). […]
[…] to see him came in. They were the sweepings of London! I thought, "I can't possibly..." I'm not a snob, […]