[…]ng by Greenline [bus]. Well it was alright coming up in the morning, but in the evening, I was fairly down the line, the Greenline started in central London, Oxford Circus or something, and particularly on a Friday night or if I left early, and it [the frequency] was every half hour, the buses just […]
[…]ther, Claude Arundel. All right. He also joined the company, and they decided to, you know, upstairs from Leeds and bring down their business down to London. And they set up a firm somewhere in just in the in central London Oxford street somewhere. And there are churches today with his name associat[…]
[…]now.) Anyway, when I left the BBC, really indoctrinated in a very soft way, you were a corporate. A corporate identity. There were people like you in London, Birmingham, Manchester. They cross-pollinated all the time but you were part of the Corporation. I'm not sure whether it's quite as strong now[…]
[…]opping him and he was complete not a bag of nerves all the people that have been trying just for the few magazines losing a changing bag in a taxi in London. And he got it back and the rushes were safe, they got them away.Oh God, he mean the rushes were in the night when I think he had a few empty c[…]
[…]p;5:13 Did you do you remember we're working on a for example the blue lap did you go are in a lot of the blue lamp is shot on location in West London all around Paddington and all on there. Do you remember going and working in those parts of LondonErnie Diamond 5:31 now with that?[…]
[…]hey are now. But you didn't get any training. Driving instruction. You were put in a in a truck. And you were taken straight out into the East End of London. And I thought he guards but the said anyone drive around an airfield, but not anyone can drive around the East End of London. I always remembe[…]
[…]. We did look after the mall and I came to denim from Shepherds Bush in 45. Then in later 45 we started a pitcher's den and couldn't cater for called London town, which Wesley Ruggles directed. She's done. Charlie Ruggles,Jim Shields 3:49 sinister. Okay.John Hargreaves 3:50 W[…]
[…]reels were in enormous competition with each other and they would buy the rights and other companies would pinch it and they had newsreel theatres in London which showed nothing else and they would sometimes bring out two or three issues a day – tt was 1ike a newspaper – if something big was on. I w[…]
[…] most intrigues me. Born in 1907, Dallas was a middle-class London boy, obsessed by the new technology of radio. His […]
[…] And in their place, they had been for assistant producers. But we were all acting as producers. So there was use of this, who was the cameraman from London, he'd worked on loss of the summer wine and a lot of these big programmes, and he was in there, especially hay, who had been a editor on local,[…]
