[…]r about 17 years, but of which, I think in your 15, I think were in the original studio. And then, then, of course, when they closed, we then went to MGM. Things were never quite the same. I think that the Yes, it was somehow very much, very much like living in living in digs rather than having your[…]
[…]ng of the days when television was making inroads and I think there was probably only two films being made and there were something like 36 stages at MGM, you really rattled around in the place.Roy Fowler: Did you tour the lot.Robert Beatty: No, I didn't actually tour it. Richard Brooks: I liked him[…]
[…]e beginning of the 1930's found me at Worton Hall Studios, Isleworth, where I was to make a picture for - well in association with Edward Whiting for MGM, quota purposes of course. It was to be shot without sound, and I think I'm right in saying it was about the last silent feature picture to be sho[…]
[…]is is where your name really became to be reckoned as a power and your credit list is a very impressive one. What was the….FY: Well I was lent out to MGM to do Goodbye Mr Chips by Herbert you see but as soon as I came out of the army MGM signed me up for seven years – it went on for 15 years. But th[…]
[…] Also  KK  transcript 205 Donald Wilson Elstree ,  MGM ,  Denham ,  Rank ,  BBC […]
[…] film – these are a couple of hobbyhorses of mine: MGM own two films, one It’s Always Fair Weather, which […]
[…] gave me John Hoesli 's name who was working at MGM at that time, 2001. So I wrote to him […]
[…] Yes. Manny Yospa: It wasn't sort of big layouts like MGM or... Charles Drazin: Yes. Manny Yospa: I remember during […]
[…] one that you re-dubbed at the - we dubbed at MGM and they did it in America and I remember […]
