[…]r about 17 years, but of which, I think in your 15, I think were in the original studio. And then, then, of course, when they closed, we then went to MGM. Things were never quite the same. I think that the Yes, it was somehow very much, very much like living in living in digs rather than having your[…]
[…]ng of the days when television was making inroads and I think there was probably only two films being made and there were something like 36 stages at MGM, you really rattled around in the place.Roy Fowler: Did you tour the lot.Robert Beatty: No, I didn't actually tour it. Richard Brooks: I liked him[…]
[…]e beginning of the 1930's found me at Worton Hall Studios, Isleworth, where I was to make a picture for - well in association with Edward Whiting for MGM, quota purposes of course. It was to be shot without sound, and I think I'm right in saying it was about the last silent feature picture to be sho[…]
[…]is is where your name really became to be reckoned as a power and your credit list is a very impressive one. What was the….FY: Well I was lent out to MGM to do Goodbye Mr Chips by Herbert you see but as soon as I came out of the army MGM signed me up for seven years – it went on for 15 years. But th[…]
[…] film – these are a couple of hobbyhorses of mine: MGM own two films, one It’s Always Fair Weather, which […]
[…] gave me John Hoesli 's name who was working at MGM at that time, 2001. So I wrote to him […]
[…] Yes. Manny Yospa: It wasn't sort of big layouts like MGM or... Charles Drazin: Yes. Manny Yospa: I remember during […]
[…] one that you re-dubbed at the - we dubbed at MGM and they did it in America and I remember […]
[…]women in love with the music lovers, and then the devils but after that he found it difficult to get finance. Well, I think it lasted long enough for MGM to finance the boyfriend, but they weren't too happy with what they bought. It's it's interesting that towards the end of the devil's can sort of […]
