[…]women in love with the music lovers, and then the devils but after that he found it difficult to get finance. Well, I think it lasted long enough for MGM to finance the boyfriend, but they weren't too happy with what they bought. It's it's interesting that towards the end of the devil's can sort of […]
[…]an later, what became standard Cinemascope, you can re-create the original ratios digitally. Take a film – these are a couple of hobbyhorses of mine: MGM own two films, one It’s Always Fair Weather, which is one of the Kelly Donen musicals, which came after Singin’ in the Rain, and&nb[…]
[…]
00:43:05 working with studios
00:45:49 lab social relations
00:47:00 workers and management
00:50:28 a staunch Churchill man.
MGM LABS 1951-59
00:51:57 leaves Denham in 1951. Moved to Boreham Wood, 18 miles away; Thomas Howard, received Oscar for Blythe Spirit special effe[…]
[…]in around that hacienda., Darrol Blake 4:22 yeah, yeah. I mean, this is the by the, by really. But Sony, of course, bought MGM, didn't they? Kent Houston 4:28 Well, it was a merger of interests, yeah, it was a purchase. But I believe that that is[…]
[…]to Jack see if Ernest Maxim will do the show he loves. He wears a crew cut. Like an American boy. And, and he, he loves Hollywood he loves MGM and and I think you'll get on well with him. So he asked for me. And I produced the Jack Benny show, which I must say I learned so much from this […]
[…]st which takes one back quite a long way because that was about 1933 so that would have made me … Rodney Giesler:Who made that?Roy Fowler:It was MGM and it was Jean Harlow wasn’t it? I couldn’t tell you anything about it other than I am sure that was it that’s what seems to be what c[…]
[…] in the middle of London there were quite a lot of studios like that where they...Charles Drazin: Yes.Manny Yospa: It wasn't sort of big layouts like MGM or...Charles Drazin: Yes.Manny Yospa: I remember during one winter, it was a very cold, freezing winter, and we had power cuts and power rationing[…]
