Emmanuel (Manny) Yospa

[…] in the middle of London there were quite a lot of studios like that where they...Charles Drazin: Yes.Manny Yospa: It wasn't sort of big layouts like MGM or...Charles Drazin: Yes.Manny Yospa: I remember during one winter, it was a very cold, freezing winter, and we had power cuts and power rationing[…]

Ted (Robert Edward) Newman

[…]kid and those those are certain we do today. And we used to put wide spacing on the very end of the picture area before the leader while the tail and MGM we didn't show many MGM s films. But they always done that for us. MGM films always had great spacing on the ends. And that was how we took our ch[…]

Maurice Askew

[…] was The Young Ones we did the post-dubs here.Maurice Askew: The Young Ones, yeah.Jim Shields: Then, the one that you re-dubbed at the - we dubbed at MGM and they did it in America and I remember your remark that when you saw the American dub. You said "Oh, I think we can do a little bit better than[…]

Gus Walker

[…]bsp;Bush before he ever came to Denham. But of course, he came to Denham. I don't know if it worked in America, but he came to Denham and worked when MGM came there. Now they that was picture make brought to efficiency. I The scripts were the finished picture was within a minute or two, and when you[…]

Wilfred Brandt

[…]the year operation was due to begin; a lot of thought had to go into the new high-speed hot process.00:33:00 – 00:43:55 69-3 65mm developer built for MGM with MGM money – only used for one film; Technicolor’s move into the super 8mm business; Bill Ingram; WB discusses work in the boiler house; power[…]
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