[…]kid and those those are certain we do today. And we used to put wide spacing on the very end of the picture area before the leader while the tail and MGM we didn't show many MGM s films. But they always done that for us. MGM films always had great spacing on the ends. And that was how we took our ch[…]
[…] was The Young Ones we did the post-dubs here.Maurice Askew: The Young Ones, yeah.Jim Shields: Then, the one that you re-dubbed at the - we dubbed at MGM and they did it in America and I remember your remark that when you saw the American dub. You said "Oh, I think we can do a little bit better than[…]
[…]bsp;Bush before he ever came to Denham. But of course, he came to Denham. I don't know if it worked in America, but he came to Denham and worked when MGM came there. Now they that was picture make brought to efficiency. I The scripts were the finished picture was within a minute or two, and when you[…]
[…]the year operation was due to begin; a lot of thought had to go into the new high-speed hot process.00:33:00 – 00:43:55 69-3 65mm developer built for MGM with MGM money – only used for one film; Technicolor’s move into the super 8mm business; Bill Ingram; WB discusses work in the boiler house; power[…]
[…]otherwise, and then television did make a difference because people went out. I mean I lost touch to some extent because when I was... I worked up at MGM for about eighteenmonths on the Danziger films. &nb[…]
[…]me much for itRoy Fowler: Or opportunity. It wasn't unknown. I remember once staying at Ed Willis'farm, who for years had been a senior member of the MGM art department and half of theGood Earth was there, the bridges, the dragons. We're going to talk about people. MrOstrer,Maurice Carter: He was ju[…]
