Anne Fleming

Behp 0698 T Anne Fleming. Transcript. This transcript was originally produced automatically using Speechmatics, and has been edited by David Sharp for the British Entertainment History Project.This transcript has been edited to remove hesitation and repetition where it was felt that the speech […]

Mat Irvine

[…]at they're just as old as you are. Because you have to be a bit well, we're weird working in effects. Obviously there was Jack originally who was the manager of the parliament Jack was an artist. Bernard was senior designer and Bernard was an engineer. He worked at Kingswood Warren, the BBC is engin[…]

Chris Menges

Chris Menges (CM) Cinematographer Interviewers: Paul Frith (PF) & Keith Johnston (KJ) Date 10/05/2019 Total Length 01:26:43 Part One[00:00:09]PF: Well first off, thank you Chris for taking part in the interview today. I think we should begin where your interests in film […]

John Frame

[…]enough then they won't mind me moving to television!' Which they did so I got into E.T.V., worked my way up - Camera Assistant, Cameraman, Film Floor Manager, Film Editor, which I loved! Loved taking the Arri[flex 16mm camera] out in the morning, sending out the stock over to Humphries in the aftern[…]

Jim Peters

Jim Peters - Transcript [Start of Recording] [00:00] I: Scottish Broadcasting Heritage Group. Our interviewee is Jim Peters, I am Tim Amyes. The date is 13 May [2017]. Jim was employed here between 1971 and 2001 and that's really all we need before we move on. The first question I've […]

Adam Fullarton

[…]boards or something, and they all pulled a blind down over the drawing boards in case Mike and I pinched their submarine drawings! When we got to the Manager - I don't know what title he would have - but he was very keen on it and he gave us virtually the whole top office of the building and we ran […]

Agnes Wilkie

[…]ited about, you know you've got something and then it runs and it's just like it's got a life of its own and it's fantastic and it's pretty easy as a manager after that. [27:00]I: So, to be Head of Features you had to kind of take a step back from the actual sharp edge of producing so you weren[…]

Bernard Ponsonby

[…]y have like now where all the cameras were locked off and, effectively, you vision-mixed your way through stuff now. And this sense of having a Floor Manager giving you a live count and people in the studio when communication with the gallery, yes, it made me nervous! And I still actually get nervou[…]
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