[…], Drummond Street, off Hampstead Road.  I don’t think we stayed there very long because we moved from there to a place called New Street, in St Martin’s Lane, opposite Daley’s.  ALAN LAWSON: Slap bang in the middle of things.HARRY MILLER: And that’s when my father was at the Hippodr[…]
[…]ust and all the rest of it got overtaken by that. As a result of our film, Princess Diana thought ‘well, I’ll get my own back’, and did the Panorama [Martin] Bashir interview. DB: So, by that point you’d been working with Prince Charles at least for many, many years. PB-C: Absolutely right[…]
[…]ook it.' 'That's fine' they said, 'that couldn't be better. Now Lady Balcon what about a memorial service?' 'Oh' said Aileen, 'that's dead simple St. Martin's in the Field.' 'Oh,' they said removing their skull caps' 'I don't think we will be involved in that.' [LAUGHTER]Roy Fowler  33:03 […]
[…]n't very successful at that point he'd had a show with his wife Virginia Gilmore playing guitar on NBC television. Previously he'd been opposite Mary Martin in a show called Lute Song and a very good show I gather, I never saw it of course before my time. Yul was a jobbing actor; don’t think he work[…]
[…]era before in their lives, others were established camera men. But theestablished camera men usually worked as war correspondents, like my father and Martin Grayand people like that - they all worked as war correspondents and were consequently living asofficers in the mess. I can remember in France […]
[…]ed really looking at this material that the problem wasn't so much in the editorial aspect of it. It was unfortunate in the directorial aspect of it. Martin never directed before or that I know of.SPEAKER: F2All right. There was a break right. Okay. As I was saying I don't think that Marty had direc[…]
[…]about any of them particularlyFreddie Francis: Not really, they're all sort of. For instance there is one there called Torture Garden which my friend Martin Scorsese love this, he loves it. I had a script, while I was working with Marty on Cape Fear I had a script sent to me about the life of Edgar […]
[…] you and we haven’t got a desk, and all this went on, we haven’t got anywhere, but if you’d like to call in. And I went to Head of Features, Ian Martin. He was Head of Features and Documentaries and something else and I saw him, and he was vile to me. I think he was heavily embarrassed. An[…]
