[…]T INTERVIEW with DAVID ELSTEIN Conducted on Friday 24th March 2017 at David’s home in Putney Camera Operator: Nick GilbeyInterviewer: Martin Spence INTERVIEW SUMMARY 00.00 –  […]
[…]y went to Decca, (Time 03:10) Brian Epstein took them to Decca, to there, there, and the most unsuccessful record label was Parlophone, run by George Martin. And George Martin had a couple of minor hits with Matt Munro, and that was about it, and a couple of funny things with Peter Sellers, ri[…]
[…] Thanks. Jeff was with can we fix and he was recommended to me by Jim Smith who serviced animation equipment and holds a title artist that Jeff had done&nb[…]
[…]basically, the senior newsreel man, and Alf Tunwell, they worked with sound cameras - their soundman being respectively Derek Stiles with Paul Wyand, Martin Gray, I think with Jack Cotter, and Pat Wyand with Alf Tunwell.Alan Lawson: And, the, err, during the War, I did a bit of, er, what shall I say[…]
[…]uth as to why he left the unit. But left he did halfway through the picture, and he and his place was taken by the second unit director called Andrew Martin, who is, I think, now just about dead, or he may not be a Hollywood director of considerable second unit repute who did things like Ben Hur and[…]
[…] as well as television series such as The Return of Martin Kane (1957), Danger Man (1960), William Tell (1958), The […]
[…]ust and all the rest of it got overtaken by that. As a result of our film, Princess Diana thought ‘well, I’ll get my own back’, and did the Panorama [Martin] Bashir interview. DB: So, by that point you’d been working with Prince Charles at least for many, many years. PB-C: Absolutely right[…]
[…]n't very successful at that point he'd had a show with his wife Virginia Gilmore playing guitar on NBC television. Previously he'd been opposite Mary Martin in a show called Lute Song and a very good show I gather, I never saw it of course before my time. Yul was a jobbing actor; don’t think he work[…]