Richard Marden

[…]ll in  job also at Whorton Hall Herbert  Wilcox picture called Into the Blue, which was directed by him, edited by Bill Lewthwaite, and had Michael Wilding Constance Cummings  Jack Hulbert  and Odile Desoir in in this film that started off being directed by somebody else. And it […]

Peter Montagnon

[…]Paul, I would be in schools television, as prime I just got a job as the very first of whatever you were at the time, PA. And, and then I worked with Michael Gill, of course, who I got on tremendously well with, we worked on the first series of Animals in Art with John Berger, which has great, great[…]

Nancy Thomas

[…] on the Thursday and everybody pressing for studios, and they all used to rush in, you know, saying ‘I must have a studio’, ‘I must have more money’. Michael Mills in those days was the, you know, light entertainment, marvellous, marvellous man. He used to call me Gargantua. He was very small himsel[…]

HP0181 Nancy Thomas – Transcript

[…] ‘I must have a studio’, ‘I must have more money’. Michael Mills in those days was the, you know, light […]

Pete Murray

[…]tory about that because … We are going back, transposing a bit here but I auditioned for the Scottish Play (You know why we cannot mention that). And Michael Redgrave …(Time 22:59)    I have to say that he was pretty wonderful to me … and you know everybody, all of the young actors in Lond[…]

Waris Hussein

[…]. Our most famous person was Earl Haig, from the First World War. Waris Hussein  12:47  The people who we boasted about were Michael Redgrave, who was an alumni and Trevor Howard. And since then, Simon Russell Beale, I might add, and John Cleese, who is by the way a contempo[…]

Betty Willingale

[…]ecause in those days most of the productions that went out were theatre based and writing for television hadn’t become the art it did later. And poor Michael Barry who ran the department and I thought was one of the most, oh, best man of drama I’ve ever met, he was saddled really with a staff of pro[…]
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