[…] fat boy) ... Fowler/Lawson: Goddard, was it? Oh, I know, Mike Wilson - no. Bill Girdlestone: And he had a […]
[…] He continued to develop new trends in colour cinematography in Moby Dick (1956). He was also equally at home in black and […]
[…] to. For more details and offers of support please contact Mike Dick who is the Chair of the BECTU History Project […]
[…] this and/or other interviews. If you want to help, please contact BEHP Secretary, sue.malden@btinternet.com.Simon Rose 0:00 Hello, Mike, thank you very much to the group for agreeing to take part in the history project.Unknown Speaker 0:05 My pleasure.Simon Rose […]
[…] this and/or other interviews. If you want to help, please contact BEHP Secretary, sue.malden@btinternet.com.Simon Rose 0:00 Hello, Mike, thank you very much to the group for agreeing to take part in the history project.Unknown Speaker 0:05 My pleasure.Simon Rose […]
[…]oned, lots of great cameramen emerging, who knew how to use those camerasvery well. Are there any other characters you remember working with?821’31”JBMike Hodges, who went on to make feature films. We did “Seven Up” then, Paul Almondand the other Mike (JB means Michael Apted). Brian Winston. Oh yeah[…]