[…] say [coughs] drawing straight onto clear film by marking every four sprockets, you see, and therefore putting it through the projector, you've got a moving picture, which was simple. I probably, might have been the first in the world to do that, because I never heard of anybody doing it, until year[…]
[…]rectors the FBI was only a bit not keen to tell their companies if they're moving off the straight and narrow. There's a lady by the name of Carolyn Jackso[…]
[…]hat's Yes, you know, yesUnknown Speaker 9:47 was I believeSpeaker 1 9:49 F Brown. I was surprised when I was at the Museum of moving images that F Brown had a collection of old. Uh, gold lacquered lentens and all that sort of thing. And I was very surprised and quite proud. Y[…]
[…]ut Glendenning ran a mile, a very great pity. Glendenning who I worked with and whom I was very fond of has disappearing unfortunately.Arthur Graham: Moving onto another field altogether. Have you ever worked on film or tV commercials.Alan Lawson: I've worked on a film commercials but they were adve[…]
[…]as the first of the of those people trying to break away from the Soviet bloc. And it was about the Soviet repression of that uprising. It was a very moving and very realistic portrayal. It looked like it looked like newsreel. lert in fact, each shot in the streets of Canterbury with a bunch of amat[…]
[…]ht up during the war, and of course immediately after the second war, the major form of entertainment in this country was in fact the cinema. Or the 'pictures' as we used to call it, cinema is a more recent and rather upmarket word. And I'd gone to the local polytechnic for a commercial course of sh[…]
[…] talking about was the silent stage which is now at Shepperton and is going over to Pinewood, is it going over to Pinewood or Elstree, anyway they're moving it once againAlan Lawson: But that was used as aircraft storage or something during the war, wasn't itFreddie Francis: That I can't answer, bec[…]
[…] I was very fond of has disappearing unfortunately. Arthur Graham: Moving onto another field altogether. Have you ever worked on […]
[…]lative humidity which are essential for the storage of film to prevent dye fading and deterioration of the film base and so on.CR: I think we will be moving on to talk more about preservation later.AM: Yes, the process, it is assumed that they follow the process manual precisely.CR: Right. Could you[…]
[…]cht and it was a line of sight from the top of the Luther building in Liverpool to the boat and every time the boat tilted you would kind of lose the picture! There was kind of black flashes but again, it was a great experience, you know, doing that programme. [09:52]And then, I ended up doing […]
