[…] in the handling of things and emergencies because we used to work 72 hours on and 72 hours off. And in 1940-41, the news, well 1941-42, the news was moving very quickly. So you snatched a couple of hours kip in the office and then a few days off.AL: Did you do continuity?DMW: No still playing in di[…]
[…]nd I was very lucky. That was from May 1935 to October 1935, at which point Alex sacked us all - or at least all the lower grades - because they were moving to Denham. So, October 1935 I got myself a job at Fox-British, again in the publicity department, with a very very clever young man called Geof[…]
[…] picking up on your programme making, your production, you were moving into a stat e in the late 70s, early […]
[…]tre thereAlan Lawson 7:27 What were you I was still clapper yesGerry Anstiss 7:30 Still ClapperStephen DadeI think I've got a picture of somewhere of the whole camera crew, it was Norman Warwick was the operator. And Ian Craig was the was the Technicolour technician bec[…]
[…]d makes that no one played around whether I got in a way or interfered and that was the made the first major film they were doing a Margaret Lockwood picture when I was at the bush. First before that, they were I think it was wicked lady memories a bit vague. That was That was awkward. Well, that's […]
[…] like their technici ans to become names so they started moving him down to less interesting … they took him […]
[…]usiness and do our programmes could be turned upside down, we might all be out in the street in six months time. That's what a lot of us thought! Was moving towards that model ever, did you ever seriously think about that? R: No, there was never a model for STV because we're an integrated Produ[…]
[…]Swallow: Why not.Julia Cave: And unfortunately Paul Johnston died, [pause] had a heart attack, just at the time when I was actually moving over to work on ‘Omnibus’ although I did go back later to do some other ‘Chronicles’ for the subsequent editor, Bruce Norman.Norman Swallow:&nb[…]
[…]ion. There was a degree of adjustment in the printing but it had to be as right as one could have it in the camera and it was adjustable, by means of moving the prism. A jolly difficult thing to do on 1ocation. The reading of register when you were working in England – the camera was sent to the lab[…]
[…] work, but at least I knew the techniques of sculpting, and then say, as a designer, you do it.Speaker 1 43:46 So what was the process of moving from being an assistant to being a visual effects designer? That you just suddenly started somebody's just suddenly say, oh, yeah, you've done […]
