Norman Fisher

[…] problem. Roy Fowler: Did you ever record with the truck moving? I don't mean on the train, I mean other […]

Moira Armstrong

[…], I should remember that.Yes.Which was in fact how you actually put your actors in, you know, fanciful backgrounds because it’s done with two sets of pictures. It’s done with computers nowadays of course. And he did a lot of writing as well.Yes.He was very good at adaptations and he in fact produced[…]

Betty Willingale

[…] art in itself. You know, there was theatre, there was radio.Yes.But television drama was a thing apart, but it’s not like that now, mm.Yes. And then moving in to the, leaping ahead a bit in to the ‘70s.Mm.We started making big pictures in my, in my…  Well, I deal with it is when I think was…Th[…]

Mary Harvey (Welford)

[…]d so I went to them for two weeks. At the end of which time they said ‘Why don't you come3Mary Harvey Tape 1 Side Ato Devon with us, we’re starting a picture’, that was Thunder Rock. So I went to Devon with them, my first taste of the film business.What, what, what actually were you doing?I was[…]

Dicky Leeman

[…]obe and costume people there, but often Jenna would give me a little tip about...Rodney Giesler: Towards the end of your time in television, you were moving into series on bridge and things like that. Was the nature of comedy changing?Dicky Leeman: Yes I think so. Good producers and directors like C[…]

John Brabourne (Knatchbull)

[…]ad and raising rather raising the family. And then I worked on a couple of small films and then Danny Angel asked me if I gos associate producer on a picture for C make or seven thunders ever shot he must say limbs Robison justice. And quite a good film, actually. And then I made my own first film, […]

Angela Allen

[…] didn’t want to do…It’s such a harrowing...    Harrowing subject.I couldn’t bring myself to watch it I’m afraid I just…And… erm… yes it was moving to go to a concentration camp. Not particularly pleasant work in it. I was quite astounded at some of the Germans that I met. I can’t say, well[…]

Tony Bridgewater

[…]rd as the first reception. It was done on shortwave from his own transmitter in Coulsdon.  Amateur transmitter. He says he got some sort of picture in New York. We- Nobody could quite make out what it looked like that something must have happened. He got the semblance of something. It's on[…]
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