Search Results for: Moving Picture Company

[…] the colour – it’s not always necessary for a film; DD suggested using colourless colour on Hamlet.[Break in recording]00:03:18 – 00:08:35 Methods of moving the camera; location working, Iceland, Italy, Nice (20 pictures), Monte Carlo and so on – one of the most travelled camera operators; condition[…]

[…]6:38  YesAlf Cooper  16:39  they will object to this this will take me three years to try and teach me where my dream in front of them moving aircraft yes so the bullet would reach the position when the aircraft got there and it was playing the feel that itAlan Lawson  17:01 &nbs[…]

[…] worked in Holland until 1978. Worked for Worldwide, Millbank and Moving Picture Company. 1990’s moved to video tape. Michael (Mickey) Hickey # […]

[…]ive are a regular client and that dates back to the BBC days. I know Ray Johnson from the Staffordshire archive as well, he’s a regular. The Shetland Moving Image Archive have sent me jobs from time to time, just finishing one for them at the moment. Other various bits of production work for BBC pro[…]

[…]w what digital does to white!PF: Well, could you talk about that a little bit perhaps, the changes in film stock? So, if we think back to ‘67, ‘68 to moving forwards to something like Love for Lydia which was shot for TV wasn’t it? So, do you remember much about those changes when they happened?EH: […]

[…]unning locations and how you frame things. But but it's, it's not about, you know, multi camera, little kick in the side of the eye, you know, nobody moving, hitting their marks here, because a lot of the kids we street cast. So people pick things up very quickly, but haven't done it before. So it's[…]