Search Results for: Moving Picture Company

[…] you were never allowed to get the microphone into the picture, and that made it awkward for us. Anyway, we […]

[…]ou had to be very careful in using a zoom, you could there's only one way to you must use a zoom on movement. If you if you just zoom in and no one's moving, it's instantly noticeable. This is a standard mistake that's still being being made. If a person is moving and you move with them, you can dev[…]

[…]father then sold the dairy. And he created a milkman out of my father. And then said, right, that's it. I've sold that mob, to my dad. And you're now moving to Forest Row. So we moved to forest row, and I'm still a fat middle baby of a year old. And he had bought or rented, I don't know, a newsagent[…]

[…]ally awakened in me to what was going on in South Africa. I kind of read a bit I suspect but not a lot. And I was shown, not by her by some one else, pictures of Sharpeville and I was utterly shocked. [Phone rings]SF: Right, we’ll carry on there, I did pause it.When I, when I saw these pictures of S[…]

[…], say I was on the mixer, andthen there would be Winnie Dunn letting off the commentary on the quarter inch, and then some poor person staring at the moving or still sprocket holes on this magnetic recorder at the other end.Good Lord.Yes. So you can understand why we were still dubbing probably late[…]

[…]levision. We were already working with the American outlet and any t outlet in Los Angeles. Because at that stage before Nixon had killed it all by removing the funds any t was was worked out. Each area funded specific types of output. New York was doing Shakespeare English something that you'll fin[…]

[…]entre. And he took us through the other side. And they were both very, they spoke very graphically, you know, and it was very convincing them in very movingly as well, where it was needed. Very relaxed within the Indian technician. No, this was the time and Arthur and Dan and Peter and I snuck off. […]

[…]I believe was...Philip Leacock: It was Little Kidnappers, yes.Stephen Peet: It's very strange.Philip Leacock: Yes.Stephen Peet: Now, what was it like moving into American studios for the first time? Was the contrast considerable or was it very similar kind of methods of working?Philip Leacock: Very […]

[…] thought was very very boring. If you don't mind me moving on to ‘Man Alive’ because it's relevant; when Desmond […]