[…]talking about that subject before you arrived, actually. Pat Jackson: Were you? Yes.[Slight pause] John Legard: So, anyway... where are we? Moving... we're at the Battle of Britain, or after that... and you're moving from Blackheath and you're coming along to the next studio. Was that Denh[…]
[…] on wheels. And the microphone had the amplifier on the end so it swung back and forth. Which was quite a job. You had to do a nice smooth moving of your mike. Not my mike, but the mike man's. That was difficult. Roy Fowler 12:35 […]
[…]ad he wouldn't allow his wife to come. We could see this circle and it wasn't cantilevered as many circles are. But we could actually see this circle moving. It was in the Daily Mail the next day that Rank executives were seen standing in the front stalls in the exit in the front stalls, anxiously w[…]
[…] Yes. [Slight pause] John Legard: So, anyway... where are we? Moving... we're at the Battle of Britain, or after that... […]
[…] Yes. [Slight pause] John Legard: So, anyway... where are we? Moving... we're at the Battle of Britain, or after that... […]
[…]lour and to print it in black and white.PF: Yes, one of those films I believe we will be coming on to later on, which was Valentino, I think. So moving on to, which I think was your next film, Charlie Bubbles?PS: Yes.PF: With Albert Finney. From watching that, the version I had to see, it […]
[…]nsitive, it’s still a kind of a sensitive area in some ways.ROY LOCKETT 15Yes.ACTTs tradition was to be a kind of small, fast, quick on its feet fast moving union. Very political, very left wing, mm, prepared to take on a fight if it had to, you know what I mean, mm, that kind of thing. Fairly high […]
[…] stages at Elstree. Now, once we had started shooting, was it MGM? I suppose it was, I don’t know. I think it was MGM. Whoever it was had got another picture being made that did a sort of Heaven’s Gate and ran through … and went grossly over-budget and ran through all their money and they came down […]
[…].Alan Lawson 30:29 It became the Gates eventually became the Gate studio and it was a dubbing theatre and much other things. Then kind of moving cross the roadRay Morse 30:38 you've got Black Louis Black Yeah, rememberAlan Lawson 30:43 Louis Black yeahRay Morse &n[…]
[…]ody. And he was incredible that dog. You’d get onto this crowded tube, nose-to-nose standing, and you’d wonder how you could get a dog on or down the moving staircase, and he learnt to jump up; he’s quite heavy, and put himself round my neck like a fur. And that’s how we travelled, you know. He was […]
