[…]ht? And whereabouts isHenry Seward 0:35 Hampton Middlesex, yes.Roy Fowler 0:39 And you went on to have a career in the motion picture industry. Was either of your parents associated with films or theater? No, nothing at all. Would you like to tell us what your father did? It'[…]
[…] we buy another camera! It was rather like that.Kay Mander: Originally, one was using ordinary cine cameras for animation, put onto rostrums, and one picture one turn motors, and so forth. But then subsequently I believe there were specially designed cameras, were there not? Who designed those?Joy B[…]
[…]esponsibility and he’s got our lives’ responsibility, [coughs] he had to decide to move [???]00:16:45​So that was their object, you see. When we were moving, we were not working. Well and of course they used to shoot the balloon in flame. Well I was attacked several time, and once I was attacked by […]
[…] as an office boy at the Warwick Trading Company before moving into their camera department. His first experience as a […]
[…] ordinary cine cameras for animation, put onto rostrums, and one picture one turn motors, and so forth. But then subsequently […]
[…]cterizations and character driven. So as I say, really looking at the Hancock's half hour to come.Derek Threadgall 36:56 Okay, now we are moving on. like no one's business. We're gonna head in here for the ATV isSpeaker 2 37:07 yes. So we've obviously looked at Hancock's half[…]
[…]t and running in 12 months; closed 8 years prior to the interview; BD visited the Technicolor companies worldwide on an annual basis (this was before moving to Metrocolor); MS and BD discuss the cost of dye transfer.00:30:10 – 00:41:00 During the period as Operations Director, BD looked towards Japa[…]
[…]and that was at Shepperton Studios. How Linda Wood 26:40 did you do because you've worked on the previous Yes, and I'm now moving Tony Lawson 26:44 on to Yes, yes, that's right, yes. He asked John, asked me to carry on with him. I mean, just,&nbs[…]
