[…]hievement Maurice!Maurice Elvey : Well, Bernard Shaw was Bernard Shaw.Ralph Bond : Quite! I believe that while you were in America you saw your first moving picture. Is that right?Maurice Elvey : Yes. This was not on that occasion, because I went to America again. I went to America again in 1912, wh[…]
[…]ut Glendenning ran a mile, a very great pity. Glendenning who I worked with and whom I was very fond of has disappearing unfortunately.Arthur Graham: Moving onto another field altogether. Have you ever worked on film or tV commercials.Alan Lawson: I've worked on a film commercials but they were adve[…]
[…]you know, and it basically he needed more money. And so the decision was to get rid of MGM. And there was a choice, there was a choice between A B PC moving up to MGM at the time, because it was a purpose built studio, which started with just before the war, I believe. Anyway, and I think Brian was […]
[…]p;I took over the unit some to grab my place and at that time we were moving because the building was being of a lease of being sold by the Kobo […]
[…]a, a group of filmcompanies, that was a thing in itself, that came later anyway as far as you were concerned.That’s right, yes.Yes. Now tell us about moving to the small GBI?Well GBI [Laughter] I mean was really quite funny because it was sited behind theGate Studios in Bullham’s [ph 36:00] Yard.Oh.[…]
[…]suddenly, there I was with my notebook and a script down on the set, down on the location set with Katherine Hepburn and Rosanno Brazzi doing a major moving picture as continuity. And I don't know, I muddled through. Alan Lawson 23:38 That's an interesting thing, because, […]
[…]ow we found him because he attracted this gigantic crowd which eventually a policeman turns up and there's this big man big white nose shouting We're moving. So that was the third day. So that was the beginning of our troubles. That's the bad side. But then of course I did another picture with aweso[…]
[…]. But it was a question of the way it was shot. It was rather important the way it was shot to make it seem that it wasn’t quite so, that is was very moving, he made it a very moving end but not at all provocative or unpleasant. I think I’m right in saying that. And of course the notices for that we[…]
[…]lative humidity which are essential for the storage of film to prevent dye fading and deterioration of the film base and so on.CR: I think we will be moving on to talk more about preservation later.AM: Yes, the process, it is assumed that they follow the process manual precisely.CR: Right. Could you[…]
