[…];   And she was very complicated and I mean Jack was, bumbled on and that and they’d both been in Canada and they’d worked in the National Film Board there. And so then I startedup my, you know, an editing company in Great Newport Street, which seemed to metamorphosise itself int[…]
[…]k?Peter – Green Park was Merton Park. Yes, it was the same as the Strand, and in fact…what had happened to Strand – it had been taken over by British National, and moved to British National a few years in Elstree, and er…so we were literally in the same cutting rooms and everything, it was…Interview[…]
[…]Organisation took a crash because I have a very fond regard for J Arthur Rank he did make an effort to establish a British film industry with an international presence and he was very, very indulgent of the people of whom he employed – the so called ‘talent’.  A lot of them, well Gabby I s[…]
[…]wler  38:09  I agree with that. Yes, they couldn't behave. It's misspent and it's, ah,Keith Ewart  38:14  well, it's misspent the National Health Service. That's the trouble everywhere. The trouble is, where do you slash? But, I mean, I quite agree, but it's not in misread. There[…]
[…]but she’s a nice girl she worked at BBC, got her in.Well, so, but I love to check all through those records to see.Yes. Well, they’re, they’re at The National Film Archive all the old...Are they?Yes, yes.Yes, I’d love to see them especially the Pathé ones, you know, all the newcomers andthat.Yes, ye[…]
[…]t programme and the regional programmes which developed into other programmes eventually.Roy Fowler: Was it called the light programme, wasn't it the national programme?Reg Sutton: Yes the National Programme and the regional programmes. It became the Light and Home Service during the war. So it was […]
