[…]ducts that were made by Kodak in any area, not just Motion Picture anywhere else. Then there were also factories in Canada in Toronto, also made some national picture products. There's another one in Canada in Australia, which made some Asian picture products, they were then opening new places in Co[…]
[…] So we’d go and open, I think we opened The National Film Archive in Brussels. SF: Ah, ha. And we […]
[…]used to dress up in Victorian gear...SF: Yes.And go round Europe in this 1928 Alvis.SF: Yes.And do things. So we’d go and open, I think we opened The National Film Archive in Brussels.SF: Ah, ha.And we went to Stockholm. And I remember going to Berlin because I’d never, youknow, I’d never been abroa[…]
[…]se and went back practice in Italy in Paris and then went back to the international courts and practised in Cairo at that time. Egypt presented under British in[…]
[…] called John Corfield and I think it was called British National, is that right? Roy Fowler: That's right, yes. Lady […]
[…]ittle about it all. Well, as I suppose common with those times, my father was in advertising. And he was handling a lot of advertising campaigns, the National Savings and things like that. And he came in contact with a gentleman who was actually in charge of sponsoring these wartime National Savings[…]
[…]ston: So yes...we finished about mid December 1932 and then the next one...Roy Fowler: Can you paint us a picture of BIP [N.B. British International Pictures] in that period of time? The atmosphere in the studio and the people you were with.E.M. Smedley-Aston: Well, the atmosphere in […]
[…]an assessment the valuation. Double which is not. Very nice man. And I got an offer I couldn't refuse from meaningful use of film a studio manager of National Park after. 18 months. And then was producing.SPEAKER: F7So that was the end of the business story. So in partnership but I think we're just […]
[…]nbsp;the youngest moon. Or no not VIP. And I just tried to think a British national yes I tried British national and I think as a studio manager he was&nbs[…]
[…]s "The Gift Horse".SC: That was completed wasn't it?EC: Yes, but without him.SC: Who came down to see you, the money people?EC: The money people. The National Film Finance Corporation. Such a nice man. He asked me how I came to my conclusions and I said "I didn't come to any conclusions, it would co[…]
