Search Results for: National Film Board of Canada

[…];   And she was very complicated and I mean Jack was, bumbled on and that and they’d both been in Canada and they’d worked in the National Film Board there. And so then I startedup my, you know, an editing company in Great Newport Street, which seemed to metamorphosise itself int[…]

[…] we were all interested in them. People went to the National Gallery to listen to music, which I did too. […]

[…] you, the money people? Edward Carrick: The money people. The National Film Finance Corporation. Such a nice man. He asked […]

[…] um, the very first, now I trained her at British National, years ago. Sidney Cole: Who was that? Tilly Day: […]

[…]y Day: Oh yes!Sidney Cole: Yes, I was just going to come to that.Tilly Day: There was um, the very first, now I trained her at British National, years ago.Sidney Cole: Who was that?Tilly Day: I think she's still around... Longhurst? Long?Sidney Cole: Oh... Eileen... som[…]

[…] find Diane Tammes who had just graduated recently from the National Film School and had specialised in sixteen millimetre camera […]

[…]ne who was prepared to experiment and make this, make this work. And we were very lucky to find Diane Tammes who had just graduated recently from the National Film School and had specialised in sixteen millimetre camera and I think she was probably the first woman who got a union ticket as, as a cin[…]

[…]ddie Dryhurst: Yeah.Roy Fowler: Your family background, as I say, is documented, so why don't we start out with your first initial urgings to go into film and what films were like at that particular time, what made you feel that way about them?Eddie Dryhurst: Well we're going back to the First World[…]

[…]of these exhibitions?Jill Craigie: All of them. I soaked myself in them. I went to art galleries - we were all interested in them. People went to the National Gallery to listen to music, which I did too. The lunchtime concerts. The firemen, the ARP people were all - I was in the ARP. We used to have[…]