[…] had left there, you know. So I would have like to have seen him, it would have been a matter of interest. And they all - a lot of them were in their national costume, you know, Dutchmen in the clogs and the big old peak cap and all that sort of thing. See, what happened apparently, and I heard abou[…]
[…]cricket. Eventually they got together and decided at major events they would pool it and not be in competition with each other. Things like the Grand National and the Cup Final they covered in a rota system. I never wanted to carry on doing that. I liked it. But I wanted to work on feature films abo[…]
[…]th water chutes, when the boat was in heavy weather and water, coming down.Roy Fowler: You worked in a variety of studios. BIP lot, ABPC lot, British National, Denham and now you're at Ealing. Did you have a favourite studio to work in?Robert Beatty: Definitely Ealing. Thinking back. I always enjoye[…]
[…]sp;12:14 see, yes, this was quite an early idea to include. Include, includes, yeah, yeah, making sure that everybody was represented on a national broadcaster. I see Yeah, yeah. Elizabeth Bale 12:30 And I used to be sent down to a Asian restaurant in Park Stree[…]
[…]V, what was your, kind of, background before then? R: Well, I was in the Merchant Navy as a Radio Officer and I got fed up with that so I did my National Service and then I went to ATV and I was two years with ATV where I was in the film unit first of all then tele-recording on Film and then Am[…]
[…]a Dors and Tony Newley, who were just young, up and coming. So, we used to hang out together with other mates and things.DB: You seem to have avoided National Service.PM: I was B4.DB: Oh right. 10 minutes PM: I was born with a stone in a kidney, and the Army never likes people who might ha[…]
[…]out of the Luxembourg library of The Winter’s Tale which I had never read and I went to Brussels on the stage of the (Time 20:01 ) National Theatre Brussels. I did an audition and he said “It’s quite obvious you’ve never read this play.” I said “No you can’t read Shake[…]
[…] about rights and the differing attitudes of licence managers in the different archives . In particular she ran across a real ‘stickler’ at the National Film Archives in London called Dawley Dorly Minnick……She’d been there a long time. And, I think that she was Hungarian or Austrian. I c[…]
