[…] consultant, which was also fine because it meant I could keep a few ties and fade out at about that time or slightly before I become involved at the National Film School in bekins field, I'd always, you know, supported them and done what I could for them as a sound department while I was in charge.[…]
[…] another story by deciding to go back to London and eventually through really a lot of the journalists ATV and Anne Diamond I got into TVAM whihc was nationally. ENG one inch you know it I really wasn't happy because a lot of it was recording studio output or assembling Commercial know it not always[…]
[…]hief. And I was only 20. But actually, soon as I was 21, they gave me the job.Speaker 1 5:58 And of course, you're too young to have done national service. So ISpeaker 2 6:01 just I just missed national service. I don't think it would have been a problem because my dad was in[…]
[…]g with the shadow was progress. The Derek Williams 12:51shadow of progress was undoubtedly my most successful film. And it actually won 25 national and international festival first prizes 25 which is almost half of my total award. It hit the peak of the environmental movement, and 1969 it[…]
[…] TD: What were you… what was the first film that you were a production assistant or production manager? AY: I think that was at National Studios, and I was working at that time on, I can’t remember which one it was, it was either Charlie Chan or it was the Douglas Fairbanks ser[…]
[…] 17:42 in 54. And I had an amazing situation because I applied for I was offered a job as assistant dubbing mixer at Lady Ewell's British National. And the same time I'd applied for as assistant recorders job with a BBC. And the two things happen together. And it really was a crossroads […]
[…]ted Barbara still.SPEAKER: M4Yeah. The point was the Bristol aeroplane company at that time again because of government policy. They were starting to nationalised industry and it was done. At first it was done by. By getting the larger companies to join together. So Bristol aeroplane company went ou[…]
[…]t with a new building. And I was running errands and things like that. That was a bloody horrific opening as well because we had the new high [game?] screens, they were then - large portholes and loads of naked fluorescents on the ceiling.Jim Shields: Yes.Peter Stroud: And of course they lit the blo[…]
[…] that or not I don't recall but I mean there were all these calculations to work out and. At that time also the company put an advertisement into the national press for people for applicants to work in Technicolor and they then received large sackful of and I was the disputed to assist Leslie Oliver[…]
