[…]t with a new building. And I was running errands and things like that. That was a bloody horrific opening as well because we had the new high [game?] screens, they were then - large portholes and loads of naked fluorescents on the ceiling.Jim Shields: Yes.Peter Stroud: And of course they lit the blo[…]
[…]p;Andy Worker: Then Ben Henry and I formed a company and we made three pictures there with 20th Century Fox, so again, American money mainly but some National Film Finance Corporation money. Roy Fowler: Yes. Were these for primarily domestic release or were they aimed at a more international ma[…]
[…] going to lead to a life, and as I worked with some of the finest lighting cameramen in the world, because Gaumonts had German, French, Japanese, all nationalities working as lighting cameramen.DB. Did you know Freddie Young?PS. Freddie Young had the reputation as being the finest lighting cameraman[…]
[…]sp;spent some years through the worst period forindependent producers, the arrival of the National Film Finance Corporation..Jim Laurie- glad to help us. We had every sort of financial […]
[…] Century Fox, so again, A merican money mainly but some National Film Finance Corporation money. Roy Fowler: Yes. Were these […]
[…] member of the Bournemouth Film Society and then did his National Service in the army. In 1952 he joined Technicolour […]
[…]weeks at a time on these courses. And they would come from all over Europe, in some cases we would hold specific courses for European regions or international photographic divisions, so they would be coming from even the Far East, South America and so on. They all had to be able to speak English of […]
