Search Results for: National Screen Service
Kay Mander
[…]t 'Forever England' - but something like that, which was one of these terribly patriotic things, I think...Sidney Cole: Not 'This England' at British National.Kay Mander: No. Again, I should have looked all this up. I never know what I want to look up, I know where it all is. That was all shot down […]
Richard Marden
[…]n Glim can't remember damn funny name for a young girl, Jean de Cassilas or John de Cassilis was directed by Maurice Jay Wilson for Grand National, and it was photographed by Freddie Ford. And the continuity, the continuity girl is called Dot Forman And Firstly, I have to say is th[…]
Francis Gysin
[…];Working for it you know working with a Swiss company in London perhaps an international company anyway. But anyway having arrived at Cambridge I then joined the Fil[…]
Yvonne Littlewood
[…]one year. I've got in those books with all the pictures, I could show you his, his set. And Ridley Scott today is one of, you know, the, the top international film directors. It's surprising, you know, like so many people in Current Affairs and Monitor who, the, the young directors who did[…]
Mel Faber
[…]they wanted to get out of hotels and Harry Danziger was married to Angela King, who was Sam King's daughter, sister of Peter King who ran Screen International or set up Screen International, and through the family interests they bought the major part of Shipman & King but your father was instrum[…]
David Robson
[…] Command the trumpeters come onto the stage apron to - on top of the closing captions - and the stage apron comes up with the organ, and it plays the national anthem. Well first of all there's the heralds, and then the national anthem. And the arrangement was you closed the screen tabs and then foll[…]
Anne V Coates
[…]idn’t he?
I thought it was later than that. I don’t remember him around until...
[inaudible] that time.
Yes, maybe.
As I say, I think the National Provincial suddenly decided enough was enough.
Yes. Yah.
[0:10:09]
I was curious whether your uncle, what his primary motivation was[…]
Roger Smither
[…]o into partnership with The NFA as it was at that time, but relations weren’t great between Ernest Lindgren, Curator of the NFA – MW: That’s the National Film Archive. RS: That’s the National Film Archive.- and my ultimate bosses, the Director and Deputy Director at the IWM. So we ended up[…]
Ronald Grant
[…] served the board I think was five years. And I had gone to classes while I was there. They were they released classes because you were called up for national service. So in order to postpone the national service until your apprenticeship was finished, you had to go to some further education. And my[…]
