[…] What, the Regent Street? JG And I did, that’s right, and I did a degree in economics, and then I was supposed to go in the army, because it was national conscription, but I was grade 4 cause I had a perforated eardrum, from that, you know when I was about 3 or 4, and I thought I had two years […]
[…]es of J.Arthur?Peter Tanner: No that was the only time I met him on those occasions. Then I went to Rock Studios it was then, afterwards British National, to work with an editor called Jarvis, Jarvie, and I worked with him on picture called Gentleman Adventurer which was Hanbury's, on[…]
[…] four hours of training at night during the week and used for hours about the time. Weekends on point duty or patrol work or something as part of the national effort in 1938. Between 38 and 39 was a very bad time for me because there simply wasn't any film being made you might get the day's work. Ag[…]
[…] remember working at the BFI, where the lady at the National Film Archives who dealt with film researcher s was […]
[…] remember working at the BFI, where the lady at the National Film Archives who dealt with film researcher s was […]
[…] all goes just the way it i s to the National Film Archive. CB: Ohoo dear (laughs) I: No don’t, […]
[…] sound crew was - oh he ended up with the National Film Board in Ottawa - George Crowle[?]. And he […]
[…] - I did a Brian Rix picture at the Gate National as they they set up. He set up a […]
[…] went to see it about a year ago at The National, and it was nowhere near as effective as Peter's […]
[…]sp;12:14 see, yes, this was quite an early idea to include. Include, includes, yeah, yeah, making sure that everybody was represented on a national broadcaster. I see Yeah, yeah. Elizabeth Bale 12:30 And I used to be sent down to a Asian restaurant in Park Stree[…]
