[…]ilms. We’ve talked to working-class people, we’ve talked to miners, we’ve talked to black people, we’ve talked to, people that didn’t normally get on screen. And somehow there was an ethos, well, are they to be trusted? We need to verify everything. Well we always did verify everything, because we, […]
[…]r nearly 10 years getting married and getting divorced there. It was, I quite like being in Cheltenham , because there was Cheltenham races the great national hunt centre. And I since I'd been a jockey, Stanley Forman 8:27 Was there a rich dramatic life in[…]
[…] TD: What were you… what was the first film that you were a production assistant or production manager? AY: I think that was at National Studios, and I was working at that time on, I can’t remember which one it was, it was either Charlie Chan or it was the Douglas Fairbanks ser[…]
[…]y Samuelson: I see.Erica Masters: Grandfather was in business there and I guess I was conceived there and I was born there.Sydney Samuelson: And what nationality were your parents?Erica Masters: My father was from Lithuania and I think my mother was a mixture of German or Norwegian or something. She[…]
[…] 17:42 in 54. And I had an amazing situation because I applied for I was offered a job as assistant dubbing mixer at Lady Ewell's British National. And the same time I'd applied for as assistant recorders job with a BBC. And the two things happen together. And it really was a crossroads […]
[…] that or not I don't recall but I mean there were all these calculations to work out and. At that time also the company put an advertisement into the national press for people for applicants to work in Technicolor and they then received large sackful of and I was the disputed to assist Leslie Oliver[…]
