[…] "There's a man here called John Grierson, who's got the National Film Board of Canada, and come on up, at […]
[…] they were both concerned with the er - the environment, but er - Shell UK was more concerned, probably, with the domestic environment and Shell International, er - Shell Film Unit that is, was more concerned with international considerations of environment and you had as a consequence this wonderfu[…]
[…]ame out I think of the Leveson inquiry very powerfully from our NUJ colleagues is one of the reasons that there was a culture of hacking in News International was there was no independent voice to stand up because the NUJ would pretty much shut out of US International because of the Staff Associatio[…]
[…];11:10 Yeah, if I may suggest, we move on to the middle of strong Midlands connection with your father. I remember as a kid on listening to the national radio and hearing the niqab interpreter. AfterUnknown Speaker 11:25 leaving the RCMP, he graduated from the air in what you just […]
[…]think I can take it apart right with those things I knew how to adjust the tension and you know do that sort of thing. And film was you know was international 16 metal film you can I can still I've got old films I can I still got 16 projects, I can still go and look at it if I want if I try and watc[…]
[…]ston: So yes...we finished about mid December 1932 and then the next one...Roy Fowler: Can you paint us a picture of BIP [N.B. British International Pictures] in that period of time? The atmosphere in the studio and the people you were with.E.M. Smedley-Aston: Well, the atmosphere in […]
[…]It would be interesting to see that film wouldn’t it if we could dig it out. I wonder what it was called? I’d like to see that film.AL: Well probably National Film and Television Archive will have it.Yes, they’ll have it, mm.Yes, yes, yes.If we could find the title somehow.Yes, yes, yes.So anyway wh[…]
[…], putting the microphones away in the sound department and the then chief, Red Turtle and I was there until September 1949 when I had to go and do my National Service which I did in the RAF. I went in for 18 months but then I was home on a 72 hour pass and I had been to see a Chelsea Arsenal e[…]
[…]s of the studio, you see? ROY FOWLER: It was one large stage?HARRY MILLER: Yes, well they had two very large. This was British International Pictures, Elstree, and you’d have three units, a Hitchcock and, I can’t remember at the moment, Monty Banks, Wilcox, all the old names that y[…]
[…]u know, and I was next to him as this gentle Oliver, next door in my velvet suit and this close up picture was was printed the following morning in a national paper. We were doing some Dickens' birthday celebrations in a galleried inn we used to do it every year, I think it's still there in the boro[…]