[…]ago, one couldn’t tell from this bill. So Danny Angel had a letter written to every single studio all over the world. Because being so many different nationalities, Mischa could have been anywhere in the world if he was still alive. And we eventually got a letter back saying he would love to come an[…]
[…]d, but rather had several other contracts. And the next thing I had to do is to make vectors assistant director on two films, both made for the Royal National lifeboat institution. A short film to be directed by Michael are on called Night launch, which is 10 minutes long. And a long film, directed […]
[…]it still looked kind of garish and colourful. And this was photographed like old masters because Ducky Slocombe used to go and study paintings at the National Gallery before he'd start to shoot things and get ideas about lighting and so forth. Anyway that that all went very successfully and then I g[…]
[…] What, the Regent Street? JG And I did, that’s right, and I did a degree in economics, and then I was supposed to go in the army, because it was national conscription, but I was grade 4 cause I had a perforated eardrum, from that, you know when I was about 3 or 4, and I thought I had two years […]
[…]earliest film memory was going to his studio which was Worton Hall at Isleworth which subs, subsequently became the Korder Studio and then became the National Coal Board something or other. I don’t know what it is now. And I can remember as a perhaps five or six years old and being taken to the stud[…]
[…]e other Simon Gray plays Close of Play, Quartermaine's Turns, Otherwise Engaged, all of which Harold directed then I did quite a bit at The National. Well the first one I did there, I did a lot of things because Harold introduced me actually, my first national play was because of him becau[…]
[…]d without any restrictions. Thank you.Speaker 1  0:24  Okay. Can you please state your name, your date of birth and your place of birth and nationality?Speaker 2  0:34  My name is Matt. Matthew Ervin in full. I was born in July 1948. In London on my ancestry, it goes back to New […]
[…]ERVIEWER: Oh, sorry to hear that. Yes, and then what happened next? CHARLES SMITH: I shot my first film as a cameraman in 1951. That was for the National Coal Board, and it was a film on fires underground and how to fight them. This was made in the wake of a serious disaster which killed a cons[…]
[…]Ben HurCB: Did he? What was he doing over here then?I: He came over. He was I guess under contract at Gaumont BritishCB: No I don’t remember him. Was nationality was he?14 Victor Saville (1895-1979) was an English director, producer and screenwriter. His films included Dark Journey (1937) and The Si[…]
