[…] that when I was about 12 so I was really quite impressed with that. And then I used to love the impressionists because my dad used to take me to the National Gallery. 0:03:07.1 MIKE: Where did you go to art school then? 0:03:09.1 JOY: Well yes, but this is back about 1957. There was somet[…]
[…] – what was his name?SF: Joe Erskine?Was it Joe... Anyway, whatever. So that was, I suppose, my first opening up to other cultures or other nationalities.SF: Did you experience racism? I don’t mean on you, but on them during the schoolyears? Was there much racism?I wasn’t aware of it, no. […]
[…]'s all unfathomable to me but it works. And so you sit in the theatre and you are watching and listening to a roughed up which you have not done in a theatre. You've done it on the machine. We use that as the foundation for our subsequent preview mixes so that when we went to do our preview mics or […]
[…]ecause I came back five years later to work from you. But I think this was from this Dimas a film called The People's land, which is a film about the National Trust, which Ron Williams also wrote to me before. And I can remember, although I may be misplacing this, but I think I remember so misplacin[…]
[…]t 'Forever England' - but something like that, which was one of these terribly patriotic things, I think...Sidney Cole: Not 'This England' at British National.Kay Mander: No. Again, I should have looked all this up. I never know what I want to look up, I know where it all is. That was all shot down […]
[…]ge performance and a film performance?Eddie Dryhurst: Very. I knew the difference between a close-up and how you do er - to be heard at the back of a theatre.Roy Fowler: What sort of direction did you give them, do you recall?Eddie Dryhurst: Intimate. I didn't yell at 'em, I just talked to them quie[…]
[…] 1912 when he had the opportunity to film the Grand National at Aintree. In 1913 Tunwell took a at job […]
[…] into the service from the film industry and from the theatre. Hence Stephen Thomas, George More O’Farrell and myself, and indeed […]
