[…] pay; industrial relations; role of the ACTT; the Newsreel Agreement; National Union of Journalists. Section 4: World War Two and […]
[…], [Laughter] I was a special factor really. I’d become very left wing and well, comparatively left wing, very left wing, and I didn’t want to do National Service. I didn’t because at that time we had our soldiers were out shooting people in Cyprus and, you know, and Tanganyika andROY LOCKE[…]
[…]out of the Luxembourg library of The Winter’s Tale which I had never read and I went to Brussels on the stage of the (Time 20:01 ) National Theatre Brussels. I did an audition and he said “It’s quite obvious you’ve never read this play.” I said “No you can’t read Shake[…]
[…]k?Peter – Green Park was Merton Park. Yes, it was the same as the Strand, and in fact…what had happened to Strand – it had been taken over by British National, and moved to British National a few years in Elstree, and er…so we were literally in the same cutting rooms and everything, it was…Interview[…]
[…]n told me about a strange place called Bush House which housed the European Service of The BBC and outlined what they did there and mentioned all the nationalities involved, at which I actually took fright and she offered me a job in the library there as a junior. And I said ‘Oh I can’t possibly wor[…]
[…]nking relations with pilots. The ministry got on to Shell, and profoundly objected to the fact that they made a film every year. And they wanted international publicity for their aeroplanes. And my last film or film, I had the rather bitter situation of having to make copies on my own budget for 22 […]
[…] : Now the Beaconsfield studios are the film school, the National Film School. I was stationed there in the Army […]
[…]th?ANNE HANFORD: 23 December 1937SUE MALDEN: And the place of birthANNE HANFORD: I was born in NottinghamSUE MALDEN: And your nationalityANNE HANFORD: British SUE MALDEN: One question we always like to ask is whether you have received any awards in the conduc[…]