[…]cricket. Eventually they got together and decided at major events they would pool it and not be in competition with each other. Things like the Grand National and the Cup Final they covered in a rota system. I never wanted to carry on doing that. I liked it. But I wanted to work on feature films abo[…]
[…]y Day: Oh yes!Sidney Cole: Yes, I was just going to come to that.Tilly Day: There was um, the very first, now I trained her at British National, years ago.Sidney Cole: Who was that?Tilly Day: I think she's still around... Longhurst? Long?Sidney Cole: Oh... Eileen... som[…]
[…]es of J.Arthur?Peter Tanner: No that was the only time I met him on those occasions. Then I went to Rock Studios it was then, afterwards British National, to work with an editor called Jarvis, Jarvie, and I worked with him on picture called Gentleman Adventurer which was Hanbury's, on[…]
[…] traced because all the records are at Berkhampstead in the National Film and Television Archive, so you joined when, in […]
[…] we were all interested in them. People went to the National Gallery to listen to music, which I did too. […]
[…] I went to Rock Studios it was then, afterwards British National, to work with an editor called Jarvis, Jarvie, and […]
[…]n the department to go out and get that from the local cafes. For everyone in the department, I couldn't see, really see a future there, and with the National Service looming, I was, I was a bit desperate to to get a job somewhere, doing something else. I applied. Nick Gilbey 31:31&n[…]
[…] served the board I think was five years. And I had gone to classes while I was there. They were they released classes because you were called up for national service. So in order to postpone the national service until your apprenticeship was finished, you had to go to some further education. And my[…]
