Bernard Vorhaus

[…]n on - I gave you Ghost Camera...Sidney Cole: That's right, yes.Bernard Vorhaus: And then the next film I made was Crime on the Hill for British International, which was an interesting film I think. It was run at the National Film Theatre among some others.Sidney Cole: With the recent retrospective […]

Cynthia Moody

[…];   And she was very complicated and I mean Jack was, bumbled on and that and they’d both been in Canada and they’d worked in the National Film Board there. And so then I startedup my, you know, an editing company in Great Newport Street, which seemed to metamorphosise itself int[…]

Fred Tomlin

[…]ne very nicely, we've got some super stories there and those old stills are absolutely super. As I say, I hope that you might give permission for the National Archive...Fred Tomlin: If you want to use them you can, yes.Bob Allen: ...to take copies of them they'd be most interested.Fred Tomlin: Becau[…]

Cyril Pennington-Richards

[…]ow, produced it anyway. And he pleaded with me to do this film and I said, "Well I don't know, I've got things to think about." He'd been told by the National Film Finance Corporation that if he didn't get me he wouldn't get the money, and he didn't get the money. I mean that's stupid isn't it? But […]

Margaret Thomson

[…]which was called the New Zealand Public Relations Council. It was, it was a public relations job, sponsored by the New Zealand Wool Marketing... International Wool Secretariat, by the New Zealand Meat Board, New Zealand Fruit Board and the New Zealand Dairy Board. The head of it was a Labour MP call[…]
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