Peter Sargent

[…] going to lead to a life, and as I worked with some of the finest lighting cameramen in the world, because Gaumonts had German, French, Japanese, all nationalities working as lighting cameramen.DB. Did you know Freddie Young?PS. Freddie Young had the reputation as being the finest lighting cameraman[…]

Peter Birch

[…] Blattner Studios. It was Leslie Fuller Studios. It was British National studios. Peter Birch : Yes I remember Blattnerphone, I […]

Elizabeth (Liz) Bale

[…]sp;12:14  see, yes, this was quite an early idea to include. Include, includes, yeah, yeah, making sure that everybody was represented on a national broadcaster. I see Yeah, yeah. Elizabeth Bale  12:30  And I used to be sent down to a Asian restaurant in Park Stree[…]

Ernest Marsh

[…]bsp;3:38  between two cinema, yes, it was. It was a two, I think it was a 2000 foot can, because it had the adverts, the local adverts, the National adverts, and the pathway news. And the two cinemas being both owned by kinemas East, Anglia shared it, and so the programs were timed, so it […]

Brian Pritchard

[…]ube again, using red green and blue. And that was quite a step forward really. Eventually, I’d been going to college day release and I took by Higher National Certificate and moved onto the motion picture sales division up in High Holborn working as a technical assistant there and we used to give ad[…]

Alan Masson

[…]weeks at a time on these courses. And they would come from all over Europe, in some cases we would hold specific courses for European regions or international photographic divisions, so they would be coming from even the Far East, South America and so on. They all had to be able to speak English of […]

Ronald Seeth

Ron Seeth - Transcript [Start of Recording] [00:00] I: This is an interview with Ron Seeth for the Scottish Broadcasting Heritage Group's Oral History project. The interviewer is Janet McBain and the date is 13 May 2017. Ron, let's start with when and where you were brought up. When w[…]
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