[…] they wouldn’t let us do it. They were difficult. The National Maritime wouldn’t let us go into their grounds, the […]
[…] leg and it was repaired and they won the Grand National together, and I thought it was a wonderful film. […]
[…] doing film lighting and cinematography workshops for students at the National Film and Television School, Beaconsfield, and also at the […]
[…] an interesting film I think. It was run at the National Film Theatre among some others. Sidney Cole: With the […]
[…] got things to think about." He'd been told by the National Film Finance Corporation that if he didn't get me […]
[…] that copies of completed interviews are deposited with the BFI National Archive at Berkhamsted for permanent secure storage and made […]
[…]ee years there, three are very happy, very, very happiest. And it was really kind of before its time, because it was very multicultural, all sorts of nationalities there. Pretty well, all men, I think, are the architects. Delightful people very interesting. And I know we had day trips to properties,[…]
[…]s me again, he broke off and set up a company at the end. Last I heard of him, and a guy named slips me now but his, his roots were, he just left the national service and went into Poland Dean, and he was working as a trainee there. And other names like John. Now there's a guy called Tim Doddridge. […]
[…]unate because I skipped between Drama and Documentaries so I was doing that for years and it was great! I mean, we did a series with Diana Rigg about National Trust properties in Scotland. I think it was an eight-parter and it was, it went out, I think it was commissioned for Channel Four and it wen[…]