Eileen Diss

[…]e other Simon Gray plays Close of Play, Quartermaine's Turns, Otherwise Engaged, all of which Harold directed then I did quite a bit at The National. Well the first one I did there, I did a lot of things because Harold introduced me actually, my first national play was because of him becau[…]

Dallas Bower

[…]y television service had the most wonderful orchestra and a musical director, who if he had lived would certainly have become one of the leading international conductors of this century - Hyam Greenbaum. And he, he decided to re-score the work and Cecil Gray, who was a close friend of his and a[…]

Frederick Bentham

[…]d Germany from Italy almost or in world time as impossible now, so there's nothing for it, but both forms and colour music. And I went to the Massara national now and there I looked through their mouldy collection or a seven date gramophone records and pick the art things that I thought would work a[…]

Maurice Elvey

[…]ilm, the whole audience had to stand up. And you know as well as I do, when an audience has stood up and been stirred by something - particularly the national anthem in those days - they invariably react with a great round of applause, which is as much for themselves as it is for what they've just s[…]

Dicky Leeman

[…] British, and the other - I don't mean British by nationality but British music hall performer - and Harry Langdon […]

Hazel Allen

[…];11:10  Yeah, if I may suggest, we move on to the middle of strong Midlands connection with your father. I remember as a kid on listening to the national radio and hearing the niqab interpreter. AfterUnknown Speaker  11:25  leaving the RCMP, he graduated from the air in what you just […]

Dicky Leeman

[…] was fantastic to hear these two guys talking about the early days, you know? One was Australian but British, and the other - I don't mean British by nationality but British music hall performer - and Harry Langdon the old time comic.Rodney Giesler: And of course he was vaudeville, wasn't he, before[…]

John Schlesinger

[…] all that. And about this time, by the time this all came about, I'd shown the film about a good deal and I ran a double bill to invitees at the National Film Theatre which I just took in a morning to show both that and The Class as a double bill, to which I asked Jo Janni. And Jo Janni saw it […]
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