Search Results for: National Theatre.

[…];Working for it you know working with a Swiss company in London perhaps an international company anyway. But anyway having arrived at Cambridge I then joined the Fil[…]

 This material is the copyright of the ACTT History Project, Daphne Anstey widow of Edgar, editor with the National Film Board of Canada under her maiden name, Lily, interviewers JohnLegard [JL] and Gloria Sachs [GS], recorded in her home, in Hampstead Garden Suburb, 3 May 1989. Recordist Alan […]

[…]s put down for the polytechnic.  And I went to the Burgh polytechnic and started a course there which, five years later, landed me with a Higher National Certificate in Electrical Engineering with Distinction in Electro-Technology.  So, you know, things were shaping.  And at that mome[…]

[…]cause I wasn't intimately connected with by that Tim Aymes  31:11  time, I saw a film called Hollywood review of 1929 at the National Film theatre, made by MGM, and that was made the sound on film. I do know that definitely, it was very interesting film. It had some colour i[…]

[…]ther was a was a baritone. His sister was a concert pianist, and his brother is beat Misha being the younger of all three was also was a cellist international acclaim as well. And so the the older siblings left and went to Vienna, and my grandfather, then after and my and my grandfather and great gr[…]

[…]h we’d had, you know, quite a lot of the stuff in France, yes.Yes, yes, but they had the money.Yes.[Laughter]True.Presumably because it was sold internationally, I, I don’t remember but...I suppose it probably was, I’m not quite sure. It wasn’t, I don’t think it was sold to America.Yes.But it was ce[…]

[…]n life. But as a result of their success making advertising films they teamed up again in 1923, and raised sufficient money through what was then the National Provinicial Bank and CM Wolf, to make a film called "Woman to Woman" Roy Fowler  10:47  Yes. Jonathan Balcon  10:49 […]

[…]  17:42  in 54. And I had an amazing situation because I applied for I was offered a job as assistant dubbing mixer at Lady Ewell's British National. And the same time I'd applied for as assistant recorders job with a BBC. And the two things happen together. And it really was a crossroads […]

[…]had known her for years and years and years. And thanks to her I then went to Leon Clore after World Wide. And the first film I did there was for the National Union of Teachers and it was called I Want to go to School. And that was really my best time because Leon was the most loyal producer who alw[…]

[…]orking toRobert Angel  9:16  I was working with an editor called bill Freeman, who was younger than I was that escaped the war but had done national service. And he was a very that and he was a very, very calm, experienced editor. You couldn't want a better teacher. For me. I've lost touch[…]