[…] was showing another one of my old films called Bloody New Year which I didn’t know anything about and that […]
[…]J. WARREN: Obviously by the time it came to leaving school all I wanted to do was to work in films. I hadn’t decided I wanted to direct films, I justknew I wanted to be involved in some way. Unfortunately, the employment officer was really not enthusiastic at all. He more or less laughed at me reall[…]
[…]or usbecause we were a fairly rich family. It was knife edge for a farmer who was a tenant farmer and hislambs were a few shillings too low, bad, bad news ..Taylor/Peet: Was there a bothy?Denis Forman: There was a bothy and we had lads down from Glasgow. They came down from theslums of Glasgow, how […]
[…] them in the past, one of them had come from New Zealand for reasons best known to himself. Anyway the […]
[…]: Paul Frith (PF) Date 16/02/2018 Conducted Via Skype (Length 00:45:41) 00:00:00PF: This is an interview with Simon Lund from Cineric, New York, conducted on Skype by Paul Frith as part of the ‘Eastmancolor Revolution and British Cinema’ project, on 16 February 2018. So, thank you for[…]
[…]traded. He was so good at that I left him in India jobs and housing to build a cab and find the target of everything he had asked him out. And in he knew in Dubai when he was born there. And then he was in charge of the models unsaved to Bismarck. And that was a crucial part of the film because the […]
[…] but she is also shown defending it as bold and new in the vox-pop television interview she gives to Dirk […]
[…] had the great privilege of having it as my job to watch film every day. MW: Was there a predecessor to you in this role or had you gone to this new thing? AF: Well Clive Coultass had been appointed as Keeper of Film Programming. Well yes. Keeper of Film Programming the year before and had[…]
[…]nd the streets of Wardour, and there abouts being totally ignorant of the documentary movement, literally, unbelievably ignorant, but sort of that I knew was where I wanted to be. And I was thrown out of innumerable offices by innumerable, spotty faced office boys or telephone girls, until I walked […]
[…]Waldorf Hotel. And I saw a bunch of people - there were no queues in those days - and I was curious, and a man said "They are engaging 'supers' for a new play, a new production," - it turned out to be Hamlet, incidentally. And I said, "What is a 'super?'" He said, "Well, you walk on," as it was call[…]