[…] reverted to. Now she and Richard had inherited the Newsroom New York films. SF: Oh yes. And when she was […]
[…] and a man said "They are engaging 'supers' for a new play, a new production," - it turned out to […]
[…] demonstrate how women became essential to Britain’s cinema culture in new ways during the war. Usually employed in picture houses […]
[…]out words and somebody said a twin had died and I couldn’t work out whether a twin was two people or whether half a person had died.SF: [Laughter].I knew, I knew it was something odd, you know, nothing to do with films that was just... And then I got, we got evacuated to Pontefract and I just, I mea[…]
[…]arly age in the theatre and in photography, and in films, not a film buff, but I just and living Gerrards cross, I suppose denim studios was built, Pinewood was opening. And I remember very well, seeing the, the British LAN van going up the Oxford road every day from bekins field studios, which is o[…]
[…]ditor was Alfie room. And very shortly Oh, I think it was Michael Gordon. But he left and very shortly it was Charlie Saunders replaced him. I never knew a thing about the editing department. But within I should think days I was absolutely wrapped up in it because it was fascinating. And all one own[…]
[…]ds before because in the war I, I was part-time in the AFS, the Auxiliary Fire Service, on duty, there was never a raid when I was on duty. Anyway I knew about bunk beds and there I was. And this flat was, must have been superb, you know, when it was actually... I think at that time she was alive bu[…]
[…] Bill’, and they hadn’t told us and I being very new didn’t know that you should keep ringing up when […]
[…]asgow to go to Strathclyde University after I had finished school to do electronic engineering and I went to do that course, not because initially I knew what I wanted to do but because I felt that that was the general field that I wanted to work in. And first, at the Freshers Fair at University, th[…]