Stephen Peet

[…]he Rhodesias and Nyasaland with films that would help them along the road of advancement. And at the same time hold their interest as strongly as the normal commercial film which is often most unsuitable for audiences of this type". I say in this article... "and the method used is that putting the v[…]

Peter Dimmock

[…]e the norm, but it was a very exciting programme and Paul and Ronnie got up to all sorts of mischievousness.  Paul was the forerunner of today’s normal journalist which I think people are complaining about even if there wasn’t a story Paul would jolly soon make one, he was absolutely wonderful.[…]

Len Runkel

[…]known Speaker  1:11:58  the you, every now and again you got involved with punch and die maintenance, whether you liked it or not, although normally we had enough in the tool room for there to be a continuous change over. But now and again, you could be in trouble, and you'd got to do it. […]

Michael Darlow transcript

[…] that stuff. And on this particular afte rnoon – the normal pattern was 10 o clock in the morning start […]

Mike Bradsell

[…] was the excitement of oh, we're actually allowed to get up in the middle of the night and go and have a cup of tea or something. Let's can't do that normally. Anyway, we went back to the south andSimon Rose  7:14  then use the Morrison shelter sometimes to do Sorry, if there was a warning[…]

Peter Williams

[…] from the sublime to the corblimey. Could you tell me how you regularly went about making ‘This Week’ programmes; how did they start, how long did it normally take you, what did you do to get a half-hour film out once a month? PW: I think working for ‘This Week’ must be an obsession profes[…]

Gerard "Gerry" Anthony Morrissey

[…] up. All the hobnobs were in. Everything else. Norman Tebbit was in, right? So I said, “What we're going to do is, we're all going to come to work as normal that day. We're going to fire up all of the fryers, everything else,” because the way they work on the cooking thing, even though I was never a[…]

Roy Fowler

[…] of sense of, mm, we’re going to focus on celebrities or the opposite of saying almost history from the bottom up, we’re going to concentrate on the, normally the, the people who don’t get their lives recorded? There was no, there’s no kind of social purpose or political purpose in terms of what you[…]
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