Search Results for: Officer of the Order of the British Empire (OBE) for services to drama (1974)

[…] 4.0 International Licence. Based on a work at http://www.historyproject.org.uk. Permissions of other works, texts and other items beyond the scope […]

BEHP transcript DisclaimerThis transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interv[…]

[…]everybody who is handling and copying from, whether that’s photographically or digitally, the film collections here including restoration projects. I often say it’s everything we, everything the BFI chooses to do. It’s even sort of, more precisely defined, everything the archive decides to do with t[…]

BEHP transcript DisclaimerThis transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interv[…]

[…]nterviewee: Bill Welch  Jim Shields: We're at The Gate Recording Theatre at Elstree with Bill Welch who was the props man there - it may be of interest.Bill Welch: I came down from the Gate Studio, you know the old Gate Studio, from down the far end...Jim Shields: YesBill Welch: Then they […]

  INTERVIEW OUTLINE   KEN HOLT – laboratory worker; special effects; studio manager, head of film unit at ATV. Interviewed 13 June 2013   Interviewer: Sean Holmes Camera: Andrew Dawson   DoB: 14 February 1930   Family background: Youngest of[…]

[…]sp;           Discusses treatment of actors and different jobs of make-up artists. Marriage to Army Officer.00:20:00            Work at TVR00:20:40        […]

BEHP transcript DisclaimerThis transcript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this[…]

Interview with Esther Rantzen: Transcript of Sample ClipEsther Rantzen: When I joined Radio as a studio manager making sound effects, playing gramophone records, both for music and effects,. It was just after the great days of B.B.C. Radio, which I imagine would have been in the Fifti[…]