[…]las as well. I mean, you know, yes, it was definitely because I think I must have talked to him about it. said, you know, we did this filming. So the officer and he said, Oh, I was in that. And that's why I had a new look at the film. I've got it on tape you're sorry. Anyway.Charlotte Jennings […]
[…] BULLETIN June 2020 Dear all, Welcome to the latest bulletin of the British Entertainment History Project. The outbreak of the […]
[…]bsp;23:31 So I sort of I sort of left after that. But I did subsequently work with Duncan came with it were the I could see produced the parole officer that I did a few years later. SoUnknown Speaker 23:43 So yeah, that was that was good.Unknown Speaker 23:49 What was t[…]
[…]ject, Jim WHITTELL. I hardly need to explain what his long involvement and contribution to the industry is, but we’re going to find out because of the questions that I have. And I’d like to start by saying well you come from up north don’t you, you’re a Lancastrian, is that the correct d[…]
[…]ur life and your very interesting family and connections and all those things. So, starting, I guess at the beginning, you're the daughter of Michael Balcon, who is one of the founding fathers of the British film industry. And I'd like I suppose to start with him, your memories of him goi[…]
[…]r. My mother was Russian and she was married to somebody in the Sudan, but she was always travelling all over the continent. I think she had a series of lovers, and I went to a series of schools, where I was left during the holidays as a rule. So I had no kind of upbringing at all, in fact I only re[…]
[…]alled Clem Bending. And he was a local history teacher when he first started with Hugh subsequently subsequently he went on to become the visual aids officer for Middlesex. But that was a marvellous combination, because Clem Bending had intro to school teachers, whether they were history, geography,[…]
