Laura Mulvey

[…]ind of into the material itself was part of our inspiration, but we also wanted to make it into a kind of journey into another world which would then open up and be the story of the mother and child, so that it was a kind of journey into celluloid, perhaps in a more metaphorical sense, using it more[…]

Harry Manley

[…]egotiation with the union during time when laboratory work was dropping as video came in; a strike happened in the early-80s but Technicolor remained open – from then on the individual labs did their own negotiations; only 35 staff working at Perivale at time of interview; HM took retirement in 1989[…]
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