Peter Stuart Mullins

[…]tree or somewhere?PM: No, at Shepperton.DB: Ah, okay.PM: For HBO, directed by Guy Green, and lit by Freddie Young [BEHP Interview No 0004] so you got Oscar winner Guy Green, Oscar winner…right, so Guy Green would be sitting there in his chair, waiting for lighting to be finished, and Freddie would b[…]

Ray Harryhausen

[…]aving peeling it back like he would I think it was too subtle. Nobody knew it but me. The film was actually quite successful and Obi I believe got an Oscar. Is that right.SPEAKER: M5Yes he did.SPEAKER: M2The film was not as successful as King Kong because it was a different type of film. He was a ni[…]

Cornel Lucas

[…]colour.  And I got them to the stain and they’re really something I. now that came in to my mind when I started photographing the camera men for Oscar winners. The sound people and I thought all these wonderful technicians and none of them ever get any publicity why don’t I as a photographer ou[…]

David Robson

[…]t theatres. The only, sort of, thing I didn't like about Odeons was the equipment, it was all BT-H [British Thompson-Hudson]. The story was that when Oscar Deutsch decided to build cinemas, he said to whoever, "If you can make some equipment I'll always use that in my cinemas." And it so happened th[…]

Michael (Mickey) Hickey

[…]Mickey Hickey: 'Ryan's Daughter' I think it was 1968. 1968, yeah. You're recording now, yeah? 1968, with John Bramall, Neville Stevenson[?], known as Oscar, Bill Cook and myself - we got 'Ryan's Daughter', with David Lean, out in Ireland. And we had all our own equipment on that, as MGM weren't inte[…]

Edward Aneurin Williams

[…]shot and finished was The film called Wild Wings about the Peter Scott Slimbridge. Peter Scott of the Slimbridge wildfowl trust which actually won an Oscar, I'm proud to say not for the film. That Betty Katie has got it. That's right. Yes, that's right. I had actually done a film before I think jour[…]

Stanley W Sayer

[…]hotographer; trained RAF school of photography at Blackpool; SS was posted to Leeming.00:10:00 – 00:10:50 SS was to photograph the RAF in colour with Oscar Deutsch (then chief of the Odeon circuit) and cameras were sent from Technicolor using the Technicolor monopack (the forerunner to Eastmancolor)[…]
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