Interview

[…]are good films. He said. Which was the most wonderful brief (LAUGHTER) ... INT The high spots in the production there, is it not true that you won an Oscar? A Yes. For a natural history film. A conservation film, really, called WILD WINGS. Yes. At Slimbridge, basically, about Peter Scott's operation[…]

Waris Hussein

[…]. We then... ...I think, I think that the film itself got made. We loved it. The BBC in their wisdom, should have held it because we were heading for Oscar season. And we managed to sell it to the Goldwyn Company as a feature, because it got very nice reviews in America. They wanted to enter it for […]

Ray Harryhausen

[…]aving peeling it back like he would I think it was too subtle. Nobody knew it but me. The film was actually quite successful and Obi I believe got an Oscar. Is that right.SPEAKER: M5Yes he did.SPEAKER: M2The film was not as successful as King Kong because it was a different type of film. He was a ni[…]

Cornel Lucas

[…]colour.  And I got them to the stain and they’re really something I. now that came in to my mind when I started photographing the camera men for Oscar winners. The sound people and I thought all these wonderful technicians and none of them ever get any publicity why don’t I as a photographer ou[…]

David Robson

[…]t theatres. The only, sort of, thing I didn't like about Odeons was the equipment, it was all BT-H [British Thompson-Hudson]. The story was that when Oscar Deutsch decided to build cinemas, he said to whoever, "If you can make some equipment I'll always use that in my cinemas." And it so happened th[…]

Stanley W Sayer

[…]hotographer; trained RAF school of photography at Blackpool; SS was posted to Leeming.00:10:00 – 00:10:50 SS was to photograph the RAF in colour with Oscar Deutsch (then chief of the Odeon circuit) and cameras were sent from Technicolor using the Technicolor monopack (the forerunner to Eastmancolor)[…]
Scroll to Top