Name of interviewee Susan Crockford DRAFT Tape 1 Side AThis transcription was provided in 2015 by the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie Bell (Principal Investigator, Leeds University) and Dr Vicky Ball (Co- Investigator, De Montfort U[…]
[…]t theatres. The only, sort of, thing I didn't like about Odeons was the equipment, it was all BT-H [British Thompson-Hudson]. The story was that when Oscar Deutsch decided to build cinemas, he said to whoever, "If you can make some equipment I'll always use that in my cinemas." And it so happened th[…]
[…]shot and finished was The film called Wild Wings about the Peter Scott Slimbridge. Peter Scott of the Slimbridge wildfowl trust which actually won an Oscar, I'm proud to say not for the film. That Betty Katie has got it. That's right. Yes, that's right. I had actually done a film before I think jour[…]
Sheelagh Reece DRAFT. Tape 1 Side AThis recording was transcribed by funds from the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie Bell (Principal Investigator, University of Leeds) and Dr Vicky Ball (Co-Investigator, De Montfort University). (201[…]
[…]hotographer; trained RAF school of photography at Blackpool; SS was posted to Leeming.00:10:00 – 00:10:50 SS was to photograph the RAF in colour with Oscar Deutsch (then chief of the Odeon circuit) and cameras were sent from Technicolor using the Technicolor monopack (the forerunner to Eastmancolor)[…]
[…]'ve all suffered. It wound the wound the exhibiting side of rack organisation in the theatres sport or lovely atmosphere they've been built up in the Oscar dodge days ruined everything terrible man. Sec, you're on the stock we didn't we didn't party here on the right side and those sorts of people.&[…]
