Harry Fowler

[…]orking with -highlight">them, with Sellers?HF: Well Peter – if you know some-highlight">one – it makes a lot of difference. I mean Peter Sellers, in spite of all those great -highlight">-highlight">-highlight">Oscar winning performances, was, underneath it all a very ordinary bloke. He really was an ordinary bloke. I went with him -highlight">one day, he was showing me […]

Ronald Neame

[…]me became camera men as a result of training from me and I think -highlight">they'd be -highlight">the first to admit it. I always say to him, I wish he wouldn't have w-highlight">on an -highlight">-highlight">-highlight">Oscar if it hadn't been for me. Because he got -highlight">the -highlight">-highlight">-highlight">Oscar. Roy Fowler 1  1:35:12  Anyway, that was it. He's yes. He said sever[…]

Gerry Fisher

[…]s I suppose you got to make an excepti-highlight">on -highlight">therefore run. Room with a View in I was operated and lit and more recently -highlight">the how's -highlight">the recent -highlight">one w-highlight">on -highlight">the -highlight">-highlight">-highlight">Oscar for for light, not for lighting and w-highlight">on it for -highlight">one a BAFTA award I bet -highlight">one -highlight">thethink what it was? Or blank for -highlight">the moment? Trying to think too ma[…]

Jack Hildyard

[…]while we were doing, I mean, I always thought it was going to be a great film, but I didn't think it wouldUnknown Speaker  43:20  get me an -highlight">-highlight">-highlight">Oscar, or anything like that, but,Unknown Speaker  43:23  but -highlight">then you never do think, no,Unknown Speaker  43:28  I was always -highlight">one[…]

BEHP Bulletin no 3 Nov

[…] best known for improvising accompaniments to silent films; Freddie Francis, -highlight">-highlight">Oscar winning cinematographer - Room at -highlight">the Top (1959), Sons […]
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