BEHP transcript DisclaimerThis transcript has been produced automatically using Otter, https://get.otter.ai/interview-highlight">-transcripti-highlight">on/.It provides a basic, but unverified or p-highlight">roofread transcript of -highlight">the interview. -highlight">Therefore, -highlight">the British Entertainment History Project (BEHP) accepts no liability for[…]
[…] becoming a freelance designer. Notable television credits include Maigret (1960 -1963), Porterhouse Blue (1987) and Jeeves and Wooster (1990-highlight">-1993). In […]
[…] fight with -highlight">the Lord Chamberlain and all -highlight">the plays like -highlight">-highlight">Oscar Wilde and -highlight">The Children’s Hour went up to -highlight">the […]
[…] to use a Newman Sinclair camera; beginning work as a war correspondent; World War II: First assignment -highlight">on a convoy […]
[…]s introduced to Michael winner. And as I say, I've got Christmas cards from him here from years g-highlight">one by. Great guy, great director should have w-highlight">on an -highlight">-highlight">-highlight">Oscar for death wish. I John Lut-highlight">on 38:45 couldn't agree more. Ernie, and I think really, it's a tragedy that his I d-highlight">on't kn[…]
[…]t was exactly -highlight">the same, -highlight">the sound was terrible. And -highlight">these boys were -highlight">they had high intensity carb-highlight">ons, like Bankrate had with a copper coating, but hand-highlight">-fed not not motor fed. So you had to keep screwing -highlight">them toge-highlight">ther all -highlight">the time as -highlight">they burned away. And I went out -highlight">there -highlight">on my evenings off and just h[…]
[…]nce of Being Earnest, in colour again, and Carmen had her staff, -highlight">there was Ernie Archer, John Box, Jack Stevens and me. And Carmen had already got an -highlight">-highlight">-highlight">Oscar for… she was set decorator I think, -highlight">on -highlight">one of -highlight">the -highlight">ones with Laurence Olivier at Denham before -highlight">the war, but -highlight">they -highlight">only used to get a little plaque[…]
[…]s. And later 66 seven, I spent 12 m-highlight">onths with him -highlight">on Chitty Chitty Bang Bang. And -highlight">the foot -highlight">the circle is completed when we were both nominated for an -highlight">-highlight">-highlight">Oscar for a passage to India, which he was out with recording with David Lee and he and I mixed and had we w-highlight">on I would have obviously have a nice spee[…]
[…];Studios, a l-highlight">ong corridor, which was known as -highlight">the Polish Corridor because -highlight">the Balc-highlight">ons were at -highlight">the end of it! Anyway, he, -highlight">the family was a middle-highlight">-class Birmingham family, my grandfa-highlight">ther, who I knew quite well, Louis, was an extraordinary man who never really did a stroke of work all through his[…]
[…]orked at Walt-highlight">on for about 10 days. We did it. We shot a documentary, which had some studios. Yeah, it's quiet internet. And when -highlight">they were making -highlight">the -highlight">-highlight">-highlight">Oscar Wilde film, oh, yeah, it's been about 1960 I suppose about 10 to 12 years later than -highlight">theRichard Marden 5:30 new closed in 60. […]
