Search Results for: Oscar - Fiddler on the Roof (d. Norman Jewison 1971)

He joined Gainsborough Studios as a 3rd Assistant. Worked at Shepperton Studios with Darryl Zanuck on sound effects. Editor with Anglo Scottish.1951.

…red cars and aero engines.He was taken to the cinema for the first time as ababe-in-arms aged six months, because his father was playing the 'cello in the pit orchestra, where he performed in the even…

Father was a radio-radar technician, mother was an Irish protestant. He was in hospital aged 3 with a TB spine.

Closed shop opened up as studios expanded. Wage rates good.£4/11d [just under 25pence] per hour for a 52-hour week, plus overtime. Sets struck and rebuilt overnight.

Ronnie settled In the camera department, and became a lighting cameraman - and then a director. During his eighteen years at Shell Film Unit, Ronnie was exposed to a wide range of subjects, locations …

Major producers benefitted. On publication more activities took place. Coal Board, TV competition, Cyril Arapoff, Shell.

…Cameraman and has the job of recruiting cameramen. Aidan Crawley was made Editor-in-Chief  After some period he is asked to take over the job vacated by Cyril Moorhead, assigning cameramen and eq…

…tor, Jim Clark, who died on 25th February, aged 84,  is best-known for his -highlight">Oscar-winning work on Roland Joffe’s Cambodian civil war drama, ’The Killing Fields’ (1984).  He worked with an imp…

…sp;   Interviewer: John P Hamilton    SynopsisAdmin set-up. Barney Coleman.

…m that he worked on was Man About the House (Vincent Korda) early post-war days at Worton Hall, and various ,working at Shepperton with C P Norman; and working at Denham. When that closed do…